I want to propose a minimum 3–6 month marketing partnership with Chapel — a Friday and Sunday residency built around Attention Disorder, a world radio show that broadcasts live from the head of your bar to Twitch, X, Mixcloud, SoundCloud, and beyond.

This is not a hire. It is a partnership. Chapel provides the venue. I bring the show, the broadcast infrastructure, the audience, and the sponsors. We target brands and commercial opportunities together — what is good for the stream is good for the room, and what drives people through your door drives viewers to the screen.

The goal is to get this up and running, prove it over the first 8–10 weeks, lock in sponsors by October, and go into summer fully funded and programmed. Chapel gets a booked, broadcasting property through the summer season. That's a meaningful commercial outcome for both of us.

Friday daytime — minimum 3–4 hours. Music and one guest. End-of-week energy. Chapel gets footfall at a time it's currently dark, and I get the room dialled before Sunday.

Sunday — the full show — minimum 4 hours, no fixed end time. We look back at the week just gone and forward at the week coming up. Guests in the room and on stream from around the world, live chat on Twitch and X, DJ sets, audience roll calls. Standing format throughout. The Sunday morning crowd — not boozed, engaged, present — is exactly the right energy on camera.

My standard appearance fee is $1,000 per set.

I have 50,000 tracks in my digital library and 4,000–5,000 vinyl records. Mix and match across formats every week. No two shows will sound the same.

The Sunday crowd wants coffee, music, community, and something good to eat. A simple morning offer keeps people in the room longer and gives Chapel a commercial return beyond the door.

None of this requires a full new team. It starts with what Chapel can already do and grows as the Sunday audience grows.

The show is a community event first, broadcast second. The camera captures something actually happening — not a produced show pretending to be real.

The show lives all week, not just on air. Every week between shows we run a content cycle that builds the Sunday audience and keeps Chapel front of mind daily.

This content cycle is a full-time job for two people. That is how seriously we are approaching this.

Every show generates a structured output that keeps working all week.

I want to be transparent about what this show costs to run — and equally transparent that I'm not asking you to fund it. This is a conversation about how we structure the partnership so it works for both sides before sponsors arrive and after.

What I can say now: the show is designed to fund itself through sponsorship. The brands we are targeting — Magic Mind, TERPS & CO, Alchemy & Tonic, specialty coffee, NZ wellness brands — are actively looking for exactly this kind of culturally credible home. Two sponsors at the right level covers the full operating cost.

The question is what Chapel commits to in the period before sponsorship is confirmed — and what that looks like in a way that is fair to both sides. That is the conversation I want to have with you in person.

Wherever possible, we approach brands as a joint proposition. Chapel venue plus Attention Disorder stream is a package neither of us can offer alone. The pitch is simple: your brand, in the room, on the stream, to the world, every Friday and Sunday.

The goal is to get the show running, prove it, and go into summer with full sponsorship confirmed and a programmed property that both Chapel and Attention Disorder can rely on.